Dionysus at Sepphoris

 

On the acropolis, just east of the citadel and above the theatre, was a large residence, built around 200 AD (when the Mishnah was being written in Sepphoris) and destroyed in the major earthquake of 363. The rubble covered the floor of its dining room. This was in the form of a triclinium, typical for the Roman aristocracy: diners lay on couches, set up in the shape of a U. When the archaeologists scraped the dirt from the floor, they discovered what the diners contemplated as they ate and drank: a remarkable mosaic depicting scenes from the life of Dionysus. Those who lay on the middle couch had before them the exquisite portrait of a lady. She was cast in the role of Venus with a Cupid on her right shoulder.

 

The colors in a mosaic are those of the actual stones (cut into semi-cubes called tesserae). This one features 23 shades. When the artist reached the lady, he chose smaller tesserae, enabling him to bring such nuance to her cheeks and glance that she appears to come alive. To the young girl who scraped the dirt away in 1982, it must have seemed like a resurrection. The effect is heightened by contrast with the surrounding mosaic, done in a rougher style.

 

 

Fifteen panels celebrate Dionysus (Bacchus), perhaps the only Greco-Roman god who is still much worshiped today. After a lengthy disappearance, he re-emerged in 1956 on the Ed Sullivan Show in the person of Elvis Presley. For Dionysus is not just the "god of wine," but the god of frenzy, the god of letting go, a god who brings to the surface subterranean urges that threaten to break up the social order. The greatest expression of this aspect is the Bacchae by Euripides (a recent edition of which features Elvis on the cover). The main phenomena of Dionysus' cult can be found in the modern rock concert, where the devotees (Maenads) are "fans," and where the long-haired star incarnates this god whose tresses were vines.

 

 

 

 

 

 

 

 

The central panel in the Sepphoris mosaic (above) shows Dionysus in the midst of a drinking bout with Heracles (Hercules), while the flutes of his cousin Pan are played between them. In a panel northwest of this (right) we see the outcome: Heracles is on the floor, while Dionysus, inverting the cup to show he has drunk it all, retains control. There we have the principle of Dionysus. His rivals and his devotees may fall on their faces, but the god himself never loses control. He is the epitome of abandon and control, such that one can say: the more wildness, the more form. It is the paradox of all great art, of which this god is patron.

 

A "Homeric Hymn" to Dionysus shows that he could transform things to wine by a touch. And now, thanks to recent archaeological discoveries, we can see how strong his worship was in Galilee, famous for its many wines. Not only do we have this mosaic floor, but we find him in grand style at Scythopolis: he was the patron of that mighty city. When Jesus was growing up, Dionysus must have been a powerful presence throughout the area. That would have been the context for the first of the signs in the Gospel of John (John 2:1-11). Jesus and his mother attend a wedding at Cana, probably Khirbet Kana just across the valley from Sepphoris (perhaps he had met the future bridegroom while both were workmen here). There Jesus does the "Dionysus-thing," out-Dionysusing Dionysus in Dionysus-land.

 

 

The story of Dionysus' birth expresses his character. His father was Zeus. The mother, however, was not Hera, Zeus' wife, but Semele, a mortal. Disguised as an old woman, Hera wheedled the pregnant Semele into wheedling Zeus to show himself in his true form. This was of course the lightning stroke, which turned Semele to a crisp. Zeus saved the embryo and sewed it into his thigh, out of which, at term, burst the god of flowing wine.

 

In an alternate version, the mother was Persephone, who finished her nine months. Jealous Hera set the Titans against the infant. They hacked him to pieces, devouring all but the heart. Zeus rescued this, had Semele eat it, and out of her Dionysus was born a second time.

 

Both versions contain the idea of death and rebirth. Dionysus was sometimes called the "twice-born" and the "insewn." There may be a connection to the practice of pruning the vines, as well as to the deep winter sleep that vines must undergo in order to produce good grapes.

 

 

A Homeric Hymn to Dionysus

 

 
I will tell of Dionysus, the son of glorious Semele,
how he appeared on a jutting headland by the shore of the
fruitless sea, seeming like a stripling in the first flush of
manhood: his rich, dark hair was waving about him, and on his
strong shoulders he wore a purple robe.  Presently there came
swiftly over the sparkling sea Tyrsenian (30) pirates on a well-
decked ship -- a miserable doom led them on.  When they saw him
they made signs to one another and sprang out quickly, and
seizing him straightway, put him on board their ship exultingly;
for they thought him the son of heaven-nurtured kings.  They
sought to bind him with rude bonds, but the bonds would not hold
him, and the withes fell far away from his hands and feet: and he
sat with a smile in his dark eyes.  Then the helmsman understood
all and cried out at once to his fellows and said:
 
`Madmen!  What god is this whom you have taken and
bind, strong that he is?  Not even the well-built ship can carry
him.  Surely this is either Zeus or Apollo who has the silver
bow, or Poseidon, for he looks not like mortal men but like the
gods who dwell on Olympus.  Come, then, let us set him free upon
the dark shore at once: do not lay hands on him, lest he grow
angry and stir up dangerous winds and heavy squalls.'
 
So said he: but the master chid him with taunting
words: `Madman, mark the wind and help hoist sail on the ship:
catch all the sheets.  As for this fellow we men will see to him:
I reckon he is bound for Egypt or for Cyprus or to the
Hyperboreans or further still.  But in the end he will speak out
and tell us his friends and all his wealth and his brothers, now
that providence has thrown him in our way.'
 
When he had said this, he had mast and sail hoisted
on the ship, and the wind filled the sail and the crew hauled
taut the sheets on either side.  But soon strange things were
seen among them.  First of all sweet, fragrant wine ran streaming
throughout all the black ship and a heavenly smell arose, so that
all the seamen were seized with amazement when they saw it.  And
all at once a vine spread out both ways along the top of the sail
with many clusters hanging down from it, and a dark ivy-plant
twined about the mast, blossoming with flowers, and with rich
berries growing on it; and all the thole-pins were covered with
garlands.  When the pirates saw all this, then at last they bade
the helmsman to put the ship to land.  But the god changed into a
dreadful lion there on the ship, in the bows, and roared loudly:
amidships also he showed his wonders and created a shaggy bear
which stood up ravening, while on the forepeak was the lion
glaring fiercely with scowling brows.  And so the sailors fled
into the stern and crowded bemused about the right-minded
helmsman, until suddenly the lion sprang upon the master and
seized him; and when the sailors saw it they leapt out overboard
one and all into the bright sea, escaping from a miserable fate,
and were changed into dolphins.  But on the helmsman Dionysus had
mercy and held him back and made him altogether happy, saying to
him:
 
`Take courage, good...; you have found favour with my
heart.  I am loud-crying Dionysus whom Cadmus' daughter Semele
bare of union with Zeus.'
 
Hail, child of fair-faced Semele!  He who forgets you
can in no wise order sweet song.

 

[Translation by Hugh G. Evelyn-White, Loeb Classics # 57.]

 

Return to main text

 

In recommended order:

 

Sepphoris - Main Page

The Jewish revolt against Rome, as seen from Sepphoris

Sepphoris as a mixed city, Jewish and Gentile

Dionysus at Sepphoris

The lower city of Sepphoris, the Nile mosaic, and the aqueducts

Logistics for a visit to Sepphoris

 

© 2003 Near East Tourist Agency (NET)

Text © 2003 Stephen Langfur

 

 

 

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